King
Cain
The Story Of Pre-Calendar Christianity
By © Eso Anton Vendamenc, 2019
31 THE SHOW GOES ON
... 2
The
city is the stage and the show. Its audience, augmented by a multitude of self-congratulatory
selfies, is huge.
Who
is the author of the play that so attracts?
Could
it be Shakespeare?
Indeed,
the bard and master of pareidolian thought has hid among the dialogues of his
play “Macbeth” revelations that the killers of King John ( https://simple.wikipedia.org/wiki/John 1166-2016) and
Robin Hood, the Ludd, a story the killers have not dared re-discover for more than
four hundred years.
The
lid that has kept mystery hid is none other than the relentless and violent conversion
by government of wood and Nature into cities. Shakespeare’s Macbeth is (like the
biblical Cain and mythic Cadmus) the prototype of a builder of cities.
Specifically,
the general (and his wife) are murderers born of ambition, ‘mad dogs’, witch
and warlock come upon Scotland. The play starts by presenting the audience with
the story of the environment in which Macbeth has arrived to power: the
audience and victim is, both, the wood and those it used to shelter.
Indeed,
the wood is no more, but has become through cutting and burning a moor or heath*. Princes
and barons have emptied the wood of its inhabitants, the Ludds; and it has
become the domain of witches and women refusing to play the role of harlots to men imprisoned
in armies or cities.
To
further his ambitions, Macbeth cut back the wood and further reduced the number
of people who were sustained by it. The people have been disenfranchised in
favor of Alfa males as it were. General Macbeth and Lady Macbeth are on their
way to becoming singularities unto themselves.
There
is but one problem. In the process of realizing his ambitions, Inverness, the
city with which Mavbeth is planning to replace the wood, is left without an
audience to either boo or applaud. In effect, the city has become a mindless
entity.
Since
for Shakespeare the stage is a stand in for actual life, the actors on the deck
go insane when left, so to speak, naked and without the text that talking trees and dreaming mushrooms had once
provided them with a familiar environment. Like Sodom and Gomorrah, Inverness becomes
chaotic and begins speaking in tongues not heard before.
To
understand Macbeth in its complexity, we must look at Macbeth and Lady Macbeth,
as Adam and Eve of England in the demoralized setting (heath and moor and
little wood) of post Norman England.
Critics
and scholars acknowledge that Shakespeare based his play on an old story recorded
in an old chronicle known as Holinshed’s Chronicles (1587), which is a history
of England, Scotland, and Ireland. This is not to say that the playwright
followed this story as written, but picked and chose from it entanglements as
he pleased.
For
example, little attention is paid to the fact that Lady Macbeth, the wife of general
Macbeth, had a sister (or cousin) named Suthan, who is said to have been
married to King Duncan, who Macbeth murders to become King of Scotland and seize
control of Inverness
Shakespeare
makes no mention of Suthan specifically. Nevertheless, there are parallels that
suggest that Lady Macbeth is a pareidol
of Queen Iocaste of Thebes and Suthan is a pareidol of Queen Merope of Corinth.
Though
queen Iocaste marries her son Oedipus, and Lady Macbeth loses her son while he
is an infant, both are equally ‘unnatural’ events (see Performing
Theory—a must read—see *). Even if Iocaste binds, while Merope
separates, there is a close connection between the wombs of the two sets of
twins.
*’unnautara
events (city replacing wood) = Performing
Theory
https://books.google.lv/books?id=bpZRowUJfgUC&pg=PA16&lpg=PA16&dq=harlot+epistemology&source=bl&ots=UXlawvpS8t&sig=ACfU3U3IsB-tL5rw0ar1UG5lQsxcEfEF1Q&hl=en&sa=X&ved=2ahUKEwi2xMqjvr3hAhWjtIsKHakxBTAQ6AEwAHoECAgQAQ#v=onepage&q=harlot%20epistemology&f=false
As
the man tells it
of
memory and things accumulated over time
until
only love, the present and I AM is left.
32 THE TREES CONTINUE
TO WALK... 3
Nevertheless.
By 2019 our entire
planet is amove with alarums, earthquakes rall over the place:. China implants
human brain cells into monkey brains and raises superior monkeys, Israel lands
trash on the moon, America calls for:
Wall,
wall, and
War
on Venezuela .
Let
the Venezuelans
Come
hither
We
need cheap labor
And
oil
So
our cities grow
And
Washington
Like
Baltimore and Chicago
Becomes
a leader
In
murders
And
shit collect
On
streets in
San
Francisco
And
fills spaces
Where
in ages past
Moss
used to grow.
So,
no surprise, the fagots that were once consumed by the furnaces that baked 4
million (3.826000) bricks to build the Chrysler building in New York, have
turned into walking fagots which today trans-form empires (despite their ‘exceptionalism’)
into rooftop birch tree plantations.
MACBETH
(with author’s edits, adlibs, and additions)
Accursèd
be that tongue,
Of
yours, MacDonald,
For
it hath cowed my better part of man!
And
be the palter
Of
thy juggling fiends
No
more believed,
For
it palters with us in a double sense,
And
keeps the word of promise to our ear,
And
break it to our hope.
I’ll
not fight with thee.
For
the end comes forordained.
MACDUFF
(with author’s edits, adlibs, and additions)
Then
yield thee, orangutan*
Whose
Eve is born
With
her pussy red haired
We’ll
have thee,
As
our rarer monsters are,
Painted
on a pole,
and
underwrit:
“Here
is flesh
Come
to its deserts and rot.”
MACBETH
(with author’s edits, adlibs, and additions)
Though
you pervert me,
I
will not yield,
To
kiss the ground
before
Holywood’s feet,
Or
be baited with the troll’s curse.
Though
you disbelieve
Birnam
Wood be come to Dunsinane
Or
the glass at zoo break,
Being
of woman born,
Before
my body
I
throw my words and shield
And
curse thee,
Abel
of Moon:
“Fall
on thy face and be dead”.
-
30 –s
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