Saturday, February 23, 2019


King Cain
The Story Of Pre-Calendar Christianity
By © Eso Anton Vendamenc, 2019

17 AN ORGASM IS ALL SHE SANG

God is said to be beyond explanation. Those who have met Him or have seen his realm by way of a near death experience (nde) cannot describe him in any other way than as a wordless ‘feeling’. Nde is told in terms of an experience both orgasmic and cultural. All story tellers presume that the consciousness and culture of the present is the last word on the phenomenon.

Yet all presentations are long on the life story of the experiencer, but short on the experience itself. Were it not for the anxiety about the end of consciousness, and if one were to listen to enough of such stories, their repetitiousness becomes no less maddeningly boring than pornography. Not surprisingly some, become disappointed, before seeking sleep do murder.

No one today attempts to connect the nde experience with the experience of birth, with which nature so obviously joins it, and which past generations of humans did not understand other. Yet the nde experience like the experience of an orgasm that ejaculates a male’s seed and receives it in the female’s ovaries—by which phenomenon death meets birth—finds only little if any awareness among the story tellers of our times. If one is to ask ‘why not?’, the answer appears to be that despite sermons on ‘unquestioned love’ and ‘you have nothing to fear’, the nde experience has been compromised by a conspiracy of academia and government that aims to substitute life with death.

If it could speak, could a whale describe the feeling it has when it breaches the surface of the ocean? Perhaps it would call it an ‘unfathomable’ experience. Yet for the dwellers on dry land, theres is nothing unfathomable or exhilarating about it, because it is become permanent.

Many of who come back from death (an event that often occurs on an operating table in a city hospital) tell of having heard indescribably beautiful music. Whales, too, may gather about a boat to hear a fiddle https://www.youtube.com/watch?v=p0kWOAiZ4pg.

The inability to describe the experience of transcendence (by either a whale or a human) drives whales to breach the ocean, while humans go become artists and artisans. Ineffability is why Globalist theologians claim God is a supernatural being they alone can explain, and why they kill in order to leave us only with one story of the ineffable. Inevitably, this led to claims that the stories of Mary the Mother of Jesus and Coatlique the Mother of Huitzilopochtli (see Ch 3), while similar, were not compatible. While the One deserves to be housed in a candlelit cathedral, the Other is to be hunted as a witch who has given birth to Satan.

It is as if the whales, unable to turn the breach into flight, are forced to return to the deeps with the message: “An orgasm is all she sings”.

And, lo! when Magdalene stood by the cross and was looking up at Jesus, she waited for him to die, and by the grace of death to spill his seed on her scarf, which she had laid at the his feet to later put it between her legs.

Whether Magdalene bore a child only she knows. The popes have sealed the mouths of the faithful with chastity tapes and many coats of the glue of lies. We do not know if St. Paul ever reached Occitania (in southern France), where he may have attempted to have Madeline’s and Jesus’s issue killed. Lest the onanist effort at resurrection is seen as a failure, the Vatican keeps the history of Jesus’s disciples and his ‘family’ sealed in the catacombs of the Vatican.*

*There is indirect evidence that the Cathars (chair makers) of Occitania were killed and their name stolen by the globalizers (Grimm’s law makes Catholics read Catharics**). The Cathar survivors then fled to Livonia in northeastern Europe and took refuge in a city called Jersika (=Jerusalem), which kingdom was destroyed by the Catholic bishop Albert in 1209. The town of Madliena (a colloquialism for Magdalena) claims that the original church there was built around the bones of a young woman. That woman may have been Magdalena.



18 A CROSS THAT LOOKS LIKE A ‘Y’

When the priests in the Holy city of Jerusalem (today known as Constantinople) felt strong enough to unseat the king of the wood, they cut and cleared around the city yet another swath of trees. This left their canons a clear field of fire (no more was there a need to build Jerusalem on a mountain top). The enfilade of cannon balls replaced general Sisyphus and his backward rolling stones.

Left with but an oasis of palm trees, King and Saint Cain plotted ways of how to recapture his city.

1.  He could either have the remainder of his woodsmen allies advance on the city behind a camouflage of branches of palm fronds; or

2.  He could try enter the city riding a donkey and camouflaged as a merchant of betel leaves.

Cain decided to try both options.

Unfortunately, the priests of the city were not fooled when they saw the forest advance toward the walls of Jerusalem. General Macbeth had himself a laugh when what should have been chips of wood, when struck by links of chain fired from cannons, turned flesh into shreds.

Neither were the priests of Jerusalem fooled when the Holy man came peddling what they called ‘a narcotic’. When the woodsmen (infiltrated into the city well before the arrival of King Jesus) could not still their joy when seeing their master they broke discipline and began to throw palm fronds in the path of Jesus’s donkey, one of them, Judas, went to Herod (the name is a play on the name of Elohim) and told what was up.

The Jod (executive governor) of the city immediately closed the city’s gates and issued an order that whoever participated in the insurrection would be killed along with his entire family. King Cain was arrested and sentenced to be hung from Odin’s cross (for other details see Ch 21).

The cross of Odin is constructed to look like a Y, which form derives from a Scandinavian rune, the Algiz. Like the water board—a bench—the Algiz was an instrument of torture designed to humiliate and spoil a man’s death (the breach) by forcing him to beg for his life.

If the water board forced a man to drown whenever he inhaled (the towel placed over his face was so saturated with water that instead of inhaling air, he was forced to breathe in water), the cross of Odin forced a man to beg by even more perverse means:

When hung to the cross, the man was forced to hold himself upright by loops that were placed at the top of each arm of the Y split. A noose was then placed around the man’s neck and a heavy stone was tied to his feet. When the man’s hands and arms tired from holding him up, he either had to beg and confess to whatever he was told to cofess, or he would have to release his grip. He would then fall and hang himself.

When Jesus was hung on the Y, the men who had raised him, knelt before him and mocked him, saying, “Hail, King of the Ludds!.... If you are the Son of God, come down from the cross.” (Matthew 27:30-44; the word ‘Jews’ has been replaced by the author with ‘Ludds’; see Ch 8 for more detail on the origin of the word.)

Jesus answered them, "Destroy this temple, and I will raise it again in three days." (John 2:19)

“Three days” has become a thousand years, and the temple (conscious Being incarnate in flesh) has not yet been restored. To which one may reply with a question: But what is a thousand years in a universe that knows no time? Is it, too, but the world of letters and a rabbit thrown into the face of the moon?

Saturday, February 16, 2019

King Cain
The Story Of Pre-Calendar Christianity
By © Eso Anton Vendamenc, 2019

15 THE WOMEN OF NEW YORK

Was there anything that Cain could do to remedy the disaster he had brought on himself? Could he disappear, then reappear and live his life all over again?

Cain hoped he could close the door to his memories. There were rumors that it could be done. In centuries past Do-gooders had come from the city and had done their best to scare the Devil out of memories of ‘pagans’* by scaring them to death with devices of torture and live fire. The very notion of death itself (of an absolute loss of memory) had been introduced by the Do-gooders. Symbols of their benevolent tyranny, such as clocks, were put in every house as a reminder how deadly life had been without them. To this day, no one can tell from the voice of the “cuck-coo” clock https://www.youtube.com/watch?v=NzQMpOIHzzw that time is as inevitable as it is deadly. Without the comforting words of the Do-gooders life was nothing but a deadly phenomenon.

*pagans—let us not forget that the meaning of the word derives from the word ‘gans’ (herder) as in the Hindu word Ganesh—herder elephant, aka God of Fortune.

Nevertheless, that had been at the beginning of time. Today the question is: How can memory be erased when governments think nothing of killing millions (it does not matter whether human or animal) just to remind everyone of just how cruel life is? The joy of killing was institutionalized by Hollywood. “Make my day!” (https://www.youtube.com/watch?v=ML86JjEyKiA ) became a phrase known by every American. The government of America put a gun to the head not only of its own people, but every man, woman, and child of the world. How can one forget that peace is brought by the Do-gooder government, and that it comes from the barrel of a gun?

Whenever anyone pointed out that so-called modernity had instituted a culture of death, the American Do-gooders pointed out that, no, their country had a culture of laws, of does and don’ts, and that the Jerusalem of the Palestinians was—after all—the capital city of the Israelis and Americans, both. Had not America moved its embassy from Tel Aviv to Jerusalem in anticipation of a peace that would last a thousand years?

By the time Cain began to pray to forget the past (not only that he had killed Abel, but also what had made him become a farmer), Nature was reduced to a fly buzzing in the barrel of a gun (https://www.youtube.com/watch?v=ysvwk-5H8H8). Exceptionalist America had renamed the Venezuela of Venezuelans as Benezuela for America.

Yet memory was a phenomenon that made it leak through the cracks of documents that had missed destruction. In the ashes of burnt books there remained scorched pages that intimated what the Do-gooders had wrought.
 
There appeared people who wondered why Christians were told that God, called ‘Father’, dwelt in ‘Heaven’, but were not told that God could not have come into being without a Mother Who dwelt in Materia*. Why was parthenogenesis forgotten? Was not the Sun and life on Earth an extension of one and the same? 
 
*Materia—the parthenogenetric womb as halfway house from seeming inanimate matter to animate life and consciousness. In our times Materia is no longer remembered due the environment of the city turning women into men-soldiers (https://www.youtube.com/watch?v=9bPBKVTAtVs). Women no longer thought of themselves as mothers, but as workers. Work was afoot to bring humans into the world by means of incubation in ‘biobags’ (https://www.youtube.com/watch?v=cgmdF9l7K9o ). Lambs have already been raised this way. At this time only a dim memory of Nature in the wombs of some women keeps city governments from incubating babies en masse. It’s like snow on the roof during a thaw waiting for someone to slam the car door before it slides to the ground. Just so, if the women of New York have their way, men will no longer be necessary, and will be kept around as select museum pieces only.
 
Human manipulation of sexuality was noted already in ancient times. The Sanskrit word Aditya (आदित्य), a name that today represents solar deities, translates into Latvian (a language originating in Sanskrit) as ‘adītāya’ (feminine gender), meaning knitter, a word likely to have been associated with the activity of creation.
 
In past times, a young Latvian woman used to knit many dozens of mittens as part of her dowry. Though today the reason why mittens were gifts is lost (no Latvian linguist or anthropologist dares imagine or mention it), it is easy enough for an uninhibited imagination to see that before marriage mittens knit of lamb’s wool had been tools used to help the bride retain her chastity, i.e., she used the mittens (in Latvian: cimdi, chamdi = feelers-up) to catch the spill of her lover’s ardor. As a married woman, the bride no longer needed such go be tweens, and a gifts of mittens to the wedding guests was evidence that the bride was both virtuous and a virgin.
 
The portrait of King Cain that hung at the top of the stairs to the Great Ballroom (some called it War room because that is what it became in times of war) began to shed blood and tears.

“Please, God, let me live my life all over again!” the man in the portrait pleaded, “I have had enough of life hammered in gold and gold enameling”.

“Then listen to Me,” answered God. “There is a young woman you will meet. Her name will be Magdalene. You will be like father to her. Though you offer her your Kingdom and her knees fly over you, she will not bear you issue. That will be your forgetting.”



16 THE KILLING OF GOD

When Anna Comnena described the death of King Basil, she omitted mentioning his age. Was he a young man or was he an old man? No one knows—except perhaps the Shroud of Turin, which the Catholic Church claims to be the cloth that covered the body of Christ after Crucifixion.

Whoever the man (surely he was no punk rapping his name at the age of thirty-three), one cannot deny that the face impressed on the shroud may also be that of King Cain. The man’s solemn features give witness to the sorrows caused by his murder of his brother, the sacrifice of his daughter’s lamb to forget the murder, then dreams of sacrificing himself to right (at least in his mind) the murders he had committed.

In the year 1118 PC (Post-Christian era or there about), Cain (aka Basil the Bogomil) found himself in the middle of the hippodrome of Constantinople before a pit dug in the ground by the janissaries of emperor Alexis I. High flames, blown into the sky by the wind from a funnel, roared from the hole as they consumed the cedar logs that filled it. For three days the fire roared and impressed the city-zens of Constantinople. The trial of Basil Cain was to happen on the fourth day.

“Do you agree and confess, Basil,” shouted the emperor from his seat on the stage that had been built for him, “that I know more about God than you do?”

Basil took off the shawl that covered his head and whirled it in the air. He then threw the shawl into the rising flames. A whirlwind caused by the heat picked up the shawl, took it up into the sky, then let it drop into the branches of a nearby tree.

“Look, Emperor,” shouted Cain, “God has sent his angels to protect me! His sign is upon me. If you touch me, I will rise like that shawl and sit on God’s right hand side. It is not in the outhouse, great Emperor, that you will shit. You will shit in your pants!”

Emperor Alexis then motioned with his head to his body guards. These seized Cain by the scruff of his neck, and swung him into the flames.

A great moan was heard to rise from the onlookers. One man separated himself from the crowd, ran, and jumped into the pit after Basil. So great was the pain of the Bogomil witnesses that many attempted to follow suit.

The daughter of Emperor Alexis records the moment thus:
“There remained of (Basil) but a whirl of smoke.”

Anna does not mention the stranger who followed Basil into the fire, because he had a name she could not pronounce. The stranger was called Nanahuatl (or Nanahuatzin) and came from the land of the Aztecs.

Perhaps, the same moment was recorded by Matthew 3:16, when Matthew wrote (here redacted): “The heaven was opened, and [the witnesses] saw the Spirit of God descending like a dove, who caught the shawl in her beak and carried it into the clouds. A voice was heard say: “The clouds are the shrouds of my Sons, whom I love, and with who I am well pleased.”

The Bogomil woodsmen who had come to the hippodrome to commiserate with their King raised their voices and cried: “Allahluiah! Allahluiah!” wherewith they promised themselves that they would forever strive to imitate the one brave enough to become their God.